Mad Men Season 7, Episode 7, “Waterloo”

Rest in peace, Bert Cooper. The first half of the final season of Mad Men concludes with his passing away, and the ramifications it has for the agency and the rest of the characters. He gets one final substantial scene with Roger before his passing. At first, it appears to be an inconsequential one, which is perfect for conveying how sudden and unexpected death can be. Roger has no idea that this will be his last conversation with Bert, so Roger behaves in his usual, snarky manner. Later, this gives him cause for regret; Roger would much rather have spent their final conversation telling Bert how much he meant to him.

Mad Men Season 7, Episode 6, “The Strategy”

This is the episode I have long been waiting for: the return of Bob Benson! Actually, more exciting is that the ice finally thaws between Peggy and Don, who gradually reconcile their past differences and become close with one another again, both literally and figuratively.

Mad Men Season 7, Episode 5, “The Runaways”

Don Draper’s past rears its head again in this episode in the form of Stephanie, Anna Draper's niece, whose reappearance throws Don and Megan’s marriage into further disrepair. Stephanie seems to have lived a wild life since we last saw her in season four, as she is now pregnant, filthy, and dressed liked a hippie. She contacts Don from Los Angeles asking him for money, and he directs her to stay with Megan until he can fly over to see her, whereupon trouble ensues.

Mad Men Season 7, Episode 4, “The Monolith”

This episode finds Don struggling mightily to adjust to the terms of his resumption of work at SC&P. Every encounter Don has seems to make him feel small and wounds his pride. Sometimes this is simply a product of the terms of his return. For instance, he catches Jim, Roger, and Lou sitting down for a meeting in the conference room near the beginning, and he’s clearly jealous of being excluded from such high-level affairs. His discontent is magnified by how sharply that meeting contrasts with the mundane and irrelevant task with which he is momentarily occupied: helping the obnoxious Michael move a couch. Likewise, when Harry introduces Don to Lloyd, the man who is installing the computer at SC&P, Harry diminishes Don’s status by introducing Don not only as one the partners, but one of the agency’s three creative directors. It’s accurate, but it still irks Don.